When I received my new fauxdori from Jot, I immediately ordered four Midori Traveler’s Notebook refills from Amazon to fully test it out. My series of reviews consists of:
The last refill I’m reviewing in the #012 drawing or sketchbook paper refill, available from Goulet Pens and JetPens. I’d heard rumors it behaved reasonably well with watercolors too, so I decided to give it a go.
First impressions, it’s thick, heavy paper. Neither Goulet nor JetPens lists the paper weight. From JetPens, “The pages are a smooth, heavyweight drawing paper, perfect for sketching, drawing, and watercolors.”
The stapled notebook itself is noticeably fatter but only contains 24 sheets (48 pages). In this pic from top to bottom: #019 Weekly Planner, #002 Grid Paper, #013 Lightweight Paper, and #012 Drawing Paper.
The paper has a heavy cardstock feel, with a slight tooth – definitely not as silky smooth as my beloved Stillman and Birn Zeta Series sketchbooks, but not as textured as Moleskine Watercolor Sketchbooks. I tested with pencil first, using my favored clutch lead holder with 3.2mm 6B lead from Kaweco. The soft lead blends really well with just a finger, and just feels good with the pencil.
Next up, how do fountain pens write on this paper! Tests using my usual currently inked pens. Immediate first impressions – no pretty red sheen OR glitter effects with Emerald of Chivor. It just looks dark green, which BOOO. And you can see some slight feathering in close-up too depending on the ink.
Full page, with waterbrush tests at the bottom of the page.
Close-up of waterbrush and FP ink tests.
Did I mention all the pages in this notebook are PERFORATED!? How cool is that? The paper handled the waterbrush well enough – it didn’t start to disintegrate or pill like I’ve had other papers do, but it also wasn’t perfect either – it made the page get all ripply.
The waterbrush also caused some bleedthrough – and you can really see the ripples it caused in this pic.
Next up, testing some Peerless Watercolors.
Close up on the paint tests I did on the same backside of the fountain pen samples page.
The paints don’t bleed through or show anything on the other side of the page, but they did make it all rippled, as described earlier.
Conclusions. I like it a lot, I think with markers and light washes it will probably be fantastic. It definitely loves pencil sketches too. More comprehensive watercolor sketches might benefit from a heavier weight paper – this feels almost like a 180gsm paper or so, definitely not as heavy as the 270 gsm Stillman and Birn Zeta. But overall I like it – I’m sure I can find a use for it in the future.